Paul Bailey, whose life ended last autumn at 87, was renowned for a witty genius, profound compassion even for his deeply imperfect creations, and a cleverness that never felt cold. His literary works frequently delved into the role of remembrance on human existence, fueled by clever, syncopated conversations. Apart from fiction, he worked as a memoirist, poet, and more—here is a guide to the volumes he authored.
Bailey was a social being, an excellent talker with a love for “trivial chit-chat”, as one character notes. Alongside pal fellow writer Beryl Bainbridge would watch the TV show Coronation Street and debrief by phone. This pleasure in chatty conversations appears within his novels the book Trespasses (from 1970) as well as Peter Smart’s Confessions (released in 1977). Each includes a main male protagonist surrounded by humorous, irritating, exaggerated personalities, frequently family members whose influence is inescapable. “Why would anyone desire normality?” Ralph’s mum questions in the book Trespasses when he reveals he is gay. Like an evening with your smartest, cheekiest pal.
Paul Bailey authored excellently regarding elderly life, early and late in his career. His initial fiction the novel At the Jerusalem (1967) follows Faith Gadny’s experiences as she adjusts to an old people’s residence, where other occupants supply compassion lacking from staff, whose engagement via queries “Why not view the TV, ladies?”. In his penultimate novel Chapman’s Odyssey (2011), a senior in hospital alternates between arguing with doctors (“I only drink superior wines”, he affirms when scolded for liver results) and confronting past remembrances involving his mum, partners, classic characters including Pip by Dickens and Emma by Austen. Each volume contain humorous dialogues but marked by impending endings. In his stories, grins are unreliable. In that book, “the matron beamed, then stopped suddenly”; Faith Gadny chuckles anxiously upon challenge to her conduct. In that novel, Harry cautions that “my laughter is not genuine”. Your laughter, nonetheless, is sincere.
Besides novels, The author excelled as a talented life writer, publishing two autobiographies. An Immaculate Mistake (published in 1990) serves as a classic of memory, the heading taken from his mother’s words calling him “our error” and saying he shouldn’t exist. (“Aged, she was releasing her confidences,” he comments. “She understood this would captivate me.”) This book reveals the origins of flawed, caring, annoying mothers and fathers throughout his books. Additionally, it depicts a moving picture of a homosexual young man in the 1940s–50s, when homosexuality was illegal, and his relatives considered it strange that a son would purchase flowers for his mum; and of an aspiring actor (The writer was on stage preceding his literary career) who memorized Hamlet at 15. His follow-up autobiography A Dog’s Life (2004) focuses on days with his pet Circe, his former partner David, his fondness for Romania—which motivated later novels like Kitty and Virgil, the title Uncle Rudolf, as well as The Prince’s Boy—and loads of chatter, featuring an anecdote involving author Iris Murdoch labeling a listener a “foolish person”.
Bailey’s novels are generally brief—the impactful Old Soldiers (from 1980) is barely 100 pages—but for something shorter, explore his poems from his later career. The two collections the poetry collection Inheritance (published in 2019) and also the title Joie de Vivre (from 2022) showcase his humor, compassion, accuracy in condensed form. These poems are full of endings and beginnings. Two affectionate topics reappear: about his parent (“Now I’m closer—/ I have to say—/ than in life”) and for his spouse Jeremy Trevathan. Within the poem Amazement, he writes of the happiness from viewing “a silly TV show” as a couple, concluding with: “It’s remarkable, this simple act of consuming cheese and wine as darkness falls.”
Most agree that the author’s most expansive book was Gabriel’s Lament, shortlisted for the Booker prize in 1986. (He served as a judge for the award in 1982, an experience he despised.) This work Paul Bailey valued most, although “it drained me. It took everything out of me”. It follows Gabriel Harvey’s story, whose mum disappears and a father who becomes an insufferable elitist upon receiving money, with possible connections. It’s a depiction of London in the 1900s, a story of mental breakdown, and both comic and tragic as anything Bailey wrote. To continue, it led to a follow-up, Sugar Cane (published in 1993), which Bailey researched by attending brothels to observe.